Advertising
Green With a Call to Action
October 01, 2007
By Wendy Melillo
WASHINGTON
Using marketing to form a network where citizens can participate in issues they
care about is the concept behind the effort to promote Leonardo DiCaprio's The
11th-Hour documentary about the environment.
The campaign combines advertising technology with social causes in a way that
is designed to motivate parties to take action.
The goal is
to use the documentary as a tool to foster a community of people who are
looking to improve the environment by contributing money or volunteering time
at a nonprofit focused on green issues, said Brian Gerber of Tree Media Group,
the documentary's producer.
"We wanted to make it a very inclusive thing by bringing people in, giving
them tools for action and letting them have a conversation with other
people," Gerber says.
The documentary takes pains not to plow over the same ground already well worked
by Al Gore's An Inconvenient Truth. Rather, says Gerber, the purpose is to take
off where Gore's documentary ended by showing people that global warming is a
symptom of a larger problem rooted in how humans use resources and to offer up
some solutions.
The marketing effort's structure is what makes it unusual, says Emily Riley, an
analyst at Jupiter Research. "The combination of the mainstream movie,
social marketing know-how and the action-oriented causes behind the movie is
likely to stimulate more consumer response than a typical nonprofit might
get," Riley says. "The fact that it is that organized is
unique."
Here's how the campaign, which began Sept. 12, works. (11th-hour officials say
it is too early to offer any results.)
An online video player features a preview
for the documentary— and the player can be expanded to fill a full screen. Four
buttons at the bottom of the unit allow users to perform different functions:
Clicking on the first button sends the entire player to a friend.
The "take action" button links viewers to more than 100 nonprofits
focused on global warming and other environmental issues.
The "embed" tab uses widget technology to allow viewers to post the
player on social network sites and blogs or social bookmarking sites like
Digg.com.
And the last tab offers exclusive footage not seen in trailers for the film.
"This campaign enables cause-oriented groups to be tied with word-of-mouth
marketing," says Michael Leifer, CEO and cultural anthropologist at
Guerilla PR, a non-traditional marketing and media shop that built the widget
technology used in the campaign.
PopRule, a company that helps create digital networks allowing online users to
take action, focused on the user participation part of the effort. "We
affiliated with organizations who appear in the 'take action' button to expose
users to those groups that are doing things around the climate change
issue," says Rob Kramer, PopRule's CEO and founder. "People are
willing to take action if they are given the proper tools, and the tools have
to be easily accessible and simple to use. Here is a nice little neat package
that allows users to branch out."
The campaign is organized in three phases. The first phase began when the video
players were placed on nonprofit sites like greenmavens.com,
adventureecology.com, stepitup2007.org
and Al Gore's personal MySpace page. Each player is customized so that the
nonprofit groups' logos appear instead of the documentary's logo.
"A lot of these nonprofits don't have a video server or customized player
and it makes them look much more advanced," Leifer says. "It also
offers them a whole array of interactive content which ultimately will increase
their support base."
In the second phase of the campaign, which began Sept. 25, Zango, an online
media company providing Web videos, games, music and other tools, pushed the
player out to its list of 20 million customers through its new advertising
format called "Slider." (The player ad "slides" up from the
lower right-hand corner of a Zango user's screen in a manner similar to instant
message notifications.)
"We like the Slider because it is not an intrusive format and it is
different from a banner ad," says Val Sanford, Zango's vp, marketing.
"Bringing this kind of citizen democracy content that is cause-based helps
us to be valuable to our users. And our brand is available to everyone who sees
this [movie] trailer whether they are a part of our network or not."
The 11th-Hour video player also carries a seven-second sponsorship ad from Gaiam, the lifestyle media company.
SpotXchange, an online video advertising network, secured the sponsorship deal
and created the Gaiam ad. SpotXchange allows advertisers to target their
commercials by region or by context through a network of video content.
"The folks at 11th-hour said, 'This is the movie and we want to promote it
via this widget idea in front of people who are concerned about the planet, and
we would like to get a sponsor that matches our demographic audience who
believes in the same causes,'" says Michael Shehan, SpotXchange's CEO.
From Gaiam's perspective, it was a natural fit. "This online branding
campaign reaches our target audience and positively associates Gaiam with those
who are educating and assisting on the issues of global warming," says
Jason Marshall, a Gaiam vp.
The details for phase three are still being worked out, but current plans call
for more traditional online banner ads on sites like YouTube and ESPN.
Zachary Van Doren, director of integrated marketing at the digital consultancy
Alliance Network Group, says the 11th Hour effort goes beyond what is typically
provided within a widget.
"This is a like a widget on steroids because it provides a more complete
content experience than what is usually articulated in one widget," Van
Doren says. "It provides a means in which to direct action on the users'
end. Whether it is going to a green shopping portal or a green action network,
it provides that immediate funnel. It harnesses the power of the DiCaprio brand
and the nonprofit brand and that is unique."
Jupiter Research's Riley says nonprofits are well suited to this type of
initiative. "They have low marketing budgets and social networking tactics
are not very expensive," she says. "Half of all marketers have an
online marketing budget that is less than $25,000 a year, and very few online
efforts ever crack a couple of hundred thousand dollars."
Wendy Melillo is an 'Adweek' contributing writer and assistant professor at the
School of Communication at American University.
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